The Art of Fielding

art-of-fieldingSo here is the book that everyone is talking about…

And maybe that is the problem with this blurb: There is just too much talking.

There is one killer point that comes through in Jonathan Franzen’s quote — “First novels this complete and consuming come along very, very seldom”.

In other words — this is a special book…

Rare, desirable and precious…

A one-off that needs to be seized upon…

This is the point that the publishers should have rammed home — but instead they got caught up in the breathless eloquence of long quotes and witty baseball metaphors.

(Hardly motivational for readers in a country that knows sod all about baseball and shows absolutely no interest in learning more about it either)

This blurb would have been much tighter if the publishers had showed more restraint and edited the quotes so that they all reinforced Franzen’s central message. After all, in among the baseball references, each of the quotes pick up on the same theme:

For example James Patterson exclaims: “The Art of Fielding is one of those rare novels that seems to appear out of nowhere, and then dazzles and bewitches and inspires until you nearly lose your breath from the enjoyment and satisfaction”

Seldom…Rarethese are big motivational words that are getting lost amongst all the others

The bottom line here is this — When putting together a blurb it is nearly always better to focus on one powerful message than to get distracted by lots of other themes (no matter how positive and tempting they might be).



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2011’s Best Blurb: Battle Hymn of the Tiger Mother

tiger-mother-xWe were torn between the sheer power of this blurb and the delicate intelligence of the blurb for ‘Madeleine’. In the end ‘Battle Hymn of the Tiger Mother’ won out because it is so damn powerful. It is a polemical piece of writing that grabs your attention and really makes you think.

Here is what we said about it at the time:

This is a POWER BLURB.


The kind of book description that picks you up by the scruff of the neck, slaps you around the face and then dumps you in a crumpled heap on the floor, leaving you wondering what has just happened.

No wonder everyone is talking about Battle Hymn of the Tiger Mother.  The author is on television and radio all the time and the book is splashed across the review pages of the press.

Not since Gina Ford have so many smug middle-class mums raged so much about a book.

The publishers must be rubbing their hands in glee as they watch the PR machine hit overdrive and the book scream up the sales charts.

The writers of the blurb should take huge credit for the furore that surrounds this title. Few blurbs in recent memory have been so polemic.

But this is not simply a case of a book selling itself because of its controversial content. There is genuine skill at work here. The publishers have used the blurb to manipulate consumer emotions in the deftest of ways.

For a start, the blurb is written as a series of killer soundbites, each listed as a bullet point which makes them quick to read and easy to pass on through the all-important word of mouth.

The final bullet — linking as it does to the previous one — is a wonderful shock at the end of the piece. It ratchets up the tension just as you think it couldn’t get more extreme.

6) THE ONLY ACTIVITIES YOUR CHILD SHOULD BE PERMITTED TO DO ARE THOSE IN WHICH THEY CAN EVENTUALLY WINMEDAL

7) THAT MEDAL MUST BE GOLD

Few people could read this without wanting to:

A) Throw the book at somebody

B) Read the inside cover with the same kind of fascination and horror as one watches a car crash

C) Talk about it with their friends

The other strength of the bullet point format is that it reads like a manifesto. This is crucial as it makes the book appear very aggressive and didactic.

Even the use of upper case letters makes it feel as though the author is shouting at us.

All more grist to the PR mill…

It feels like every aspect of this back cover has been crafted to create outrage and column inches. And it has worked.

But…

From our point of view, the most interesting dynamic at work here is the fact that this blurb is not very representative of the book itself.

In reality this book is a story — the journey of a mother.

And even though it has all the elements that have been picked up on by the media, it is much more open and the author is far more vulnerable than the blurb would have us believe.

The first hint of this comes in the inside cover, which does a very good job of shaking the consumer out of their initial rage.

tiger-inside-x

The line “It was supposed to be a story about…” is brilliant.

At once we are disarmed by the honesty of the writer and realise she is not the sanctimonious ogre we had first thought. The sharp contrast between this and the shock of the back cover is very potent and before we know it we are reading on..and on…

Sadly, of course not everyone will do this. Many people will only read the headlines and be left with a very innacurate view of this book. But at least they have heard about it, talked about it and may even want to find out more.

So this blurb works precisely because it is a poor representation of the book it is trying to sell. Years ago this would have been a criticism but increasingly marketing is taking over from editorial when it comes to defining the role of the blurb and its subsequent content. Nowadays (especially within non-fiction), publishers are happy to take awareness versus understanding because noise is what sells.



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The Marriage Plot

the-marriage-plot-1Hardbacks are having a pretty rotten time at the moment, with rapidly diminishing sales and rising cover prices. Publishers have to work harder than ever to make their hardbacks covetable things of beauty that justify the price tag. They need to be stunning and tactile, with beautifully written, compelling text to draw the reader into their world.

How depressing, then, to see this lame excuse for a hardback — and particularly this utter waste of a back cover. Surely, SURELY, the days are gone when a couple of generic quotes were considered enough to make someone spend money on a premium book? Blurbs need to sell, to convince, to enchant. This text does none of those things… and it looks unbelievably boring as well.

Can you think of any other product category in which this sort of thing would be acceptable? This makes us want to weep.

Come ON, publishers — put some proper selling copy on the back of your hardbacks. Build the design around that copy to make it sing. Get us excited by what we see there. Show us that you believe in your book and we might believe in it enough to shell out £20.

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Mafia State

mafia-state-1Here at Fixabook, we often lament the apparent reluctance of publishers to use great quotes from inside a book on the back cover. They choose instead to plaster their jackets with identikit media reviews and self-important puffs from their authors’ friends.

So three cheers for Guardian Books, who have let this author’s voice do all the work on this cover. Even more cheers when you realise that this is, in fact, non-fiction: an analysis of contemporary Russia.

Mafia State is a big, weighty book. It could easily look like a very dull, rather academic tome. Instead, this blurb, coupled with a very mass-market piece of design, makes it feel like a thriller — scary, personal and mysterious.

Publishing just as Spooks and Tinker, Tailor… hit the headlines, this is an eminently sensible direction to take. It should lift the book above the limitations of its genre.

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The Night Circus

night-circusThe Night Circus looks like it will be a lovely book — striking, clean and something you want to pick up and feel.

It’s great to see that this principle of simplicity has been applied to the blurb, too. Rather than trying to explain a complex story, Random have gone for three short yet intriguing statements that convey magic, uncertainty and a certain amount of threat.

It’s a shame, though, that this compelling blurb gets lost in a sea of reviews.

There’s already a great quote from Audrey Niffenegger on the front cover — “This is a marvellous book”. We don’t need to hear from her again. This quote is also intensely self-referencing and, as a result, gives the customer very little insight, particularly if he/she hasn’t actually read The Time Traveler’s Wife.

The Tea Obrecht quote offers far more to potential readers by giving them a real sense of how the book will make them feel, yet this is tucked away at the bottom of the cover.

The blurb also suffers by being in a font and colour that are more recessive than the review above it. It becomes the second thing the reader looks at and has less impact as a result. This copy should be what draws you to the book; the review should be the confirmation that you have made the right choice.

We would recommend losing the Niffenegger quote and replacing it with the Obrecht. The blurb could then be beefed up in size and given more weight, so it talks directly and immediately to its audience.

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Go To Sleep

go-to-sleep-1We’re big fans of blurbs that use a good quote from the book to allow the text to speak for itself. Very few publishers do this — a real waste of their authors’ voices and talents.

So we applaud Canongate for seeing the value of Helen Walsh’s bleak and honest approach and for having the confidence to expose it to everyone who comes in contact with the book.

This quote is perfectly chosen. There is no need for any explanatory waffle, and it immediately makes you want to read on to find out how the character got into this state and what is going to happen.

It’s a shame that it was felt necessary to shove on so many reviews, none of which are particularly insightful. Far better to let the text breathe and only have one review (we’d recommend the Guardian one as it does offer something a bit unusual) or, even better, none at all.

Overall, this is a brilliant piece of design. The tear splashes and coffee stains say far more about the chaos and desperation of this new mother’s life than any amount of blurb ever could. A fantastically powerful back cover.

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Made in Britain

made-in-britain-1Oh dear.

We were so sure this must be a proof copy, we almost didn’t bother to review this blurb. But no, this — sadly — is the final version.

The idea must have seemed neat in theory: outline the first few minutes of an ordinary day from an economics perspective. But in practice, it’s proven impossible to communicate this elegantly in the limited framework of a blurb, and the result is a garbled mess.

Leaving aside the questionable punctuation in the shoutlines, this reads extraordinarily clumsily. Because of its tortuous nature, all the cleverness of the idea has been diluted until it’s non-existent.

There’s one other big problem. This book is a TV tie-in with an expert, respected presenter. Where’s his photo? His name? His biography? The major USP of this book has been relegated to the inside flap, and there is no visual link at all to the prime-time programme.

Here’s a neat way to solve both these dilemmas in one go. Use a full-bleed picture of Evan Davis getting out of bed. Annotate the picture to show how everything in the room is made in Britain. At once you have something visually arresting and intellectually intriguing, without having to tie yourself in knots explaining what you’re doing.

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The Final Testament of the Holy Bible

finaltestament-back-1You will either love or loathe this blurb. It has the same effect as James Frey himself. But even its biggest detractors will have to admit that it deserves to be called a Fixabook Power Blurb. It does exactly what every blurb should do — it challenges, intrigues and excites the reader.

The complete and confident focus on the author stops you in your tracks. This is a fiction blurb unlike any other. Particularly clever is the way in which the first paragraph, by moving from negative to positive statements, plays with the reader’s emotions and underlines why Frey has such a polarising effect.

The shout-out is also cleverly pitched:

“Now James Frey has written his greatest work, his most revolutionary, his most controversial.”

All three of these are bold, confident claims which challenge readers to agree or disagree — a clear call to action to pick up the book and find out what it’s all about. This challenge is reiterated in the Evening Standard review.

The review quotes, too, are well chosen to offer differing perspectives. The Time review jolts the reader yet again, as nothing else on the cover has suggested Frey is “entertaining”. This adds yet another layer of interest to an already compelling blurb.

What do you think? What we love about this is that it forces everyone to have an opinion.

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Madeleine

madeline1This is a very good blurb.

A book like this was always going to provoke controversy and stir up very emotive reactions.

The danger was that it could come across as a money-grabbing exercise by Kate and Gerry McCann. They aren’t a couple who the public have taken to heart and this book could easily have triggered a new wave of criticism.

This blurb will stop a lot of that negativity in its tracks.

The first thing we notice are the photographs of Madeleine. One as we remember her and then alongside it, an age-enhanced version to show what she might look like now.

Immediately this signals that this is no ‘Look back and weep’ story — This book isn’t dredging through the past to set the record straight — instead it is about making sure that the hunt for Madeleine is kept an ongoing issue.

This is reinforced by the copy below, which doesn’t go down the obvious route of tabloid titillation (“Read our story” / “Hear our side” / “Follow our heartbreak”). In fact, the blurb is very deliberate in its attempts to put the emphasis on the ongoing search for Madeline and the need to do more:

“It is a sad fact that not a single police force anywhere is proactively looking for Madeleine (as is the case for many other missing children). I am sure this book will re-energise that search for our daughter and the public will get behind the Find Madeleine campaign once again. It is simply not acceptable that the authorities have given up on Madeleine — especially when no comprehensive review of the case has been undertaken. Our daughter and whoever took her, are out there. we need your help to find them” Gerry McCann.

The language here is very astute.

The small reference to ‘other missing children’ combats criticisms that other abducted children need to be thought about too.

The comment about ‘this book re-energising the search’ directly explains why it has been written and challenges any thoughts that the couple are ‘cashing in’

The public getting behind the Find Madeleine campaign once more’ is an explicit play on our heart strings and makes us think guiltily about the way we have all so easily forgotten the case and moved on.

The final words “we need your help to find them” is a powerful closing line and absolutely seals this book as being part of the wider campaign to save their daughter rather than anything less honourable.

It is interesting that the quote comes from Gerry — He was always the moody bloke in the background when the case first broke. Here is able to re-establish himself in a new and more positive light.

And the strapline? — Still missing. Still missed — A very succinct and emotive message that absolutely sums up the blurb and the book as a whole.

All together this is a well crafted, clearly thought through and extremely well written, piece of communication. It is less of a book blurb and more of a campaign message. Which is exactly what it needed to be given the high emotions that surround this case.



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The Great Gatsby

great-gatsbyWith rumours of a Baz Luhrmann remake of The Great Gatsby due to go into production, we thought it would be interesting to revisit the way in which the story is presented within the publishing world.

This might be an older blurb but the manner in which it talks to readers is still widely used today.

And unfortunately, it is not that great.

You see, the whole blurb is dedicated to regaling us with what a significant book this is:

“…Fitzgerald brilliantly captures both the disillusion of post-war America and the moral failure of a society obsessed with wealth and status…”

“…in chronicling Gatsby’s tragic pursuit of his dream, Fitzgerald recreates the universal conflict between illusion and reality…”

“…Gatsby is probably Fitzgerald’s best, and certainly his most finished book…”

This is all very well and after reading this blurb, one cannot help feeling that yes, it is a very important book.

But what this blurb fails to do in any shape or form, is persuade anyone to read it on the basis of the story.

One can read the whole of the back cover of this book and come away with no idea what it is about.

This happens time and time again with the ‘Classics’.

Publishers know them so well, they assume that everyone else does too.

They devote their back covers to selling the cultural and historical significance of the book but forget to tell people about the story itself.

(Another book that suffers from this constantly is our own favourite  - 1984)

If Publishers want to recycle novels and bring in new readers (beyond students who are forced to read them anyway) then they have to get out of their ivory towers and remember to sell the story just as much as they sell its ‘importance’.


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