Winston Smith

Winston has worked in graphic design and packaging for over 20 years. He has won numerous awards and worked with some of the world’s biggest brands.

For Winston, a book cover has to consist of more than a pretty picture (although that often helps). Instead it  is an exercise in disciplined communication. A book cover has to deliver certain messages in a certain order. The trick is to do it in a way which not only seduces but is also memorable.

Easier said than done, which is precisely why good book design is so difficult and why Fixabook is so intriguing.

Darkmans

nicola-barkerEr…not much needs to be said here.

Just look at this image of the spine on a shelf.

It is extraordinary how little it takes to stand out.

Simply by using bold blocks of colour and disrupting the conventional, linear approach to spine design, this book screams at you from across the store.

It ain’t rocket science.


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The Art of Fielding

art-of-fieldingSo here is the book that everyone is talking about…

And maybe that is the problem with this blurb: There is just too much talking.

There is one killer point that comes through in Jonathan Franzen’s quote — “First novels this complete and consuming come along very, very seldom”.

In other words — this is a special book…

Rare, desirable and precious…

A one-off that needs to be seized upon…

This is the point that the publishers should have rammed home — but instead they got caught up in the breathless eloquence of long quotes and witty baseball metaphors.

(Hardly motivational for readers in a country that knows sod all about baseball and shows absolutely no interest in learning more about it either)

This blurb would have been much tighter if the publishers had showed more restraint and edited the quotes so that they all reinforced Franzen’s central message. After all, in among the baseball references, each of the quotes pick up on the same theme:

For example James Patterson exclaims: “The Art of Fielding is one of those rare novels that seems to appear out of nowhere, and then dazzles and bewitches and inspires until you nearly lose your breath from the enjoyment and satisfaction”

Seldom…Rarethese are big motivational words that are getting lost amongst all the others

The bottom line here is this — When putting together a blurb it is nearly always better to focus on one powerful message than to get distracted by lots of other themes (no matter how positive and tempting they might be).



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2011’s Best Spine: 54

54_0As ever, there were very few spines that stuck in our memories this year. Sure, there were one or two that evolved what others have done in previous years and added a nice twist or two (See Darren Shan and Ciara Geraghty elsewhere on this site) but yet again the overwhelming evidence is that publishers still do not take this aspect of their packaging seriously (despite it being the most visible presence most of these books will ever have in a bookshop).

In the end we chose 54 not because it is brilliant but because of the way it plays with the conventional communication hierarchy (particularly in respect of the author name). This is a brave strategy and in an area where no one is trying anything new we felt it important to reward a spine that was at least experimenting in an attempt to create something fresh and interesting.

Here is what we said at the time:

Elegant. Simple. Different.


Here is a spine that kicks the asses of the books unfortunate enough to be placed around it on a bookshelf.

Just look at it.

It shouts at you.

The publishers have very wisely focused everything on the unusual title.

The difficult author name (Wu Ming) isn’t going to help anybody so it has been kept out of the way.

Instead, they have bought the cover image of a man’s face to the fore. This makes eminent sense as it adds a human dimension to the obscure title. Also, the image is cropped neatly so that we see just one eye peaking from round the corner of the spine. It communicates far more than one might expect. He looks…dangerous.

This is a spine that you want to pick off the shelf — just to learn more about it.

Job done.

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2011’s Best Blurb: Battle Hymn of the Tiger Mother

tiger-mother-xWe were torn between the sheer power of this blurb and the delicate intelligence of the blurb for ‘Madeleine’. In the end ‘Battle Hymn of the Tiger Mother’ won out because it is so damn powerful. It is a polemical piece of writing that grabs your attention and really makes you think.

Here is what we said about it at the time:

This is a POWER BLURB.


The kind of book description that picks you up by the scruff of the neck, slaps you around the face and then dumps you in a crumpled heap on the floor, leaving you wondering what has just happened.

No wonder everyone is talking about Battle Hymn of the Tiger Mother.  The author is on television and radio all the time and the book is splashed across the review pages of the press.

Not since Gina Ford have so many smug middle-class mums raged so much about a book.

The publishers must be rubbing their hands in glee as they watch the PR machine hit overdrive and the book scream up the sales charts.

The writers of the blurb should take huge credit for the furore that surrounds this title. Few blurbs in recent memory have been so polemic.

But this is not simply a case of a book selling itself because of its controversial content. There is genuine skill at work here. The publishers have used the blurb to manipulate consumer emotions in the deftest of ways.

For a start, the blurb is written as a series of killer soundbites, each listed as a bullet point which makes them quick to read and easy to pass on through the all-important word of mouth.

The final bullet — linking as it does to the previous one — is a wonderful shock at the end of the piece. It ratchets up the tension just as you think it couldn’t get more extreme.

6) THE ONLY ACTIVITIES YOUR CHILD SHOULD BE PERMITTED TO DO ARE THOSE IN WHICH THEY CAN EVENTUALLY WINMEDAL

7) THAT MEDAL MUST BE GOLD

Few people could read this without wanting to:

A) Throw the book at somebody

B) Read the inside cover with the same kind of fascination and horror as one watches a car crash

C) Talk about it with their friends

The other strength of the bullet point format is that it reads like a manifesto. This is crucial as it makes the book appear very aggressive and didactic.

Even the use of upper case letters makes it feel as though the author is shouting at us.

All more grist to the PR mill…

It feels like every aspect of this back cover has been crafted to create outrage and column inches. And it has worked.

But…

From our point of view, the most interesting dynamic at work here is the fact that this blurb is not very representative of the book itself.

In reality this book is a story — the journey of a mother.

And even though it has all the elements that have been picked up on by the media, it is much more open and the author is far more vulnerable than the blurb would have us believe.

The first hint of this comes in the inside cover, which does a very good job of shaking the consumer out of their initial rage.

tiger-inside-x

The line “It was supposed to be a story about…” is brilliant.

At once we are disarmed by the honesty of the writer and realise she is not the sanctimonious ogre we had first thought. The sharp contrast between this and the shock of the back cover is very potent and before we know it we are reading on..and on…

Sadly, of course not everyone will do this. Many people will only read the headlines and be left with a very innacurate view of this book. But at least they have heard about it, talked about it and may even want to find out more.

So this blurb works precisely because it is a poor representation of the book it is trying to sell. Years ago this would have been a criticism but increasingly marketing is taking over from editorial when it comes to defining the role of the blurb and its subsequent content. Nowadays (especially within non-fiction), publishers are happy to take awareness versus understanding because noise is what sells.



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The Devotion of Suspect X

the-devotion-of-suspect-x-coverusthe-devotion-of-suspect-xIt’s interesting to see how the same book is treated on either side of the Atlantic.

In this case, both versions work within the ‘Standard Crime Palate’ of red, black and white but the similarities end there.

In terms of design and messaging, they have each taken vastly different approaches;

The US version (on the right) published by Minotaur Books, uses a strong block of red to cut through the clutter around it while the ‘tear’ acts like a little peak into something dark and mysterious. This is reinforced by the contrasting black and white photography (A tried and tested signifier of ‘gritty crime’)

The Americans have also put a lot of emphasis on the author name and for some reason felt compelled to add the painful “A novel” product descriptor. Maybe they were worried that the photograph would confuse people and make them believe the book is about a real event.

The UK version really is very different.

In our view it is far more interesting and communicates a hell of a lot more.

For a start, the large, close-up image of the Japanese woman instantly sets the scene of the story and hints at the subject of Suspect X’s devotion.

The red circle is very bold way of holding the title and as such it leaps off the page.

It also reinforces the Japanese roots of the novel.

To some, it also looks like a mouth screaming. For others it hints at a mouth covered by a gag.

Who knows…but we are aware that Crime Readers like decoding all the symbolism on a cover so it will tease them wonderfully.

The author name is very clear but given his lack of fame in the UK, it is rightfully given secondary billing in the communication hierarchy.

And finally, there is no need to add a silly product descriptor to warn readers that this is a novel — the design itself has made that abundantly obvious (which is exactly what it is supposed to do)



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Demonata Series

d-shanWe never said that publishers had to be original in the design of their spines — We simply asked them to put a bit more thought into how they might use them as a communication tool.

We have just seen a good spine for Ciara Geraghty (Elsewhere on this site) which took its lead from the spine for The Raw Shark Texts (Also elsewhere on this site) and now we have a really strong set of spines for Darren Shan’s ‘Demonata’ series inspired by no less a publishing power-brand than the Mr Men series.

It might be an old trick but just look at how well it stands out on the shelf.

And it will fit perfectly with the ‘Collector / Completist’ tendencies’ of many of its young male audience.

Sometimes designers don’t need to re-invent the wheel to make an impact — they just need to put in a bit of effort.



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Heston Blumenthal at Home

heston-blumenthal-at-homeWe love this cover.

A celebrity chef cookbook that breaks all the rules.

- For a start it is largely black: Dark covers are never used for cookbooks. Instead we are constantly bombarded with bright whites and primary colours evoking Spring, the outdoors and nature. This late night setting makes us think of secret treats and hidden pleasures. It also suggests something that can be ‘knocked up’ quickly and easily on the spur of the moment (A neat piece of re-positioning for Heston)

- We hardly see any food:  Normally cookbooks go for the raw ingredients, the rural setting or the finished meal — Here we can just make out a few ingredients — the most visible being wrapped in foil (!) which again reinforces the simplicity message. This is food we can make from stuff left in the fridge rather than having to pre-order exotic ingredients it from our nearest Deli.

- Heston’s big face isn’t plastered across the front: Instead he is hidden in the shadows. Although it has to be said the brilliant lighting reveals just enough of his iconic bald head and glasses for him to be recognisable. But even this is done so well and so subtly that actually, we feel rewarded for recognising him.

- There are no straplines or quotes: The overall layout is wonderfully clean and simple.

All in all this is a great piece of work. A very confident move by a publisher gambling against Jamie at Christmas time.

We want to buy a copy just to support them.


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The End of Everything

megan-abbottWe like this cover for three reasons;

1) The image is at once obvious but at the same time quite surreal. The over-exposure and sun spots give it a very interesting feel that is far more emotionally evocative than most of the stuff we find on book covers.

2) It seems to have found a way of synthesising a photographic look with the simple and immediate impact of graphic illustration. Uniquely, this cover sits somewhere between the two styles and works all the better for it.

3) The orange and yellow circles of sunlight do a brilliant job of merging in with the WH Smith ‘Buy One Get One Half Price’ roundel — Thus making the sticker look like part of the image rather than something ugly that has been slapped on top of it.

Now of course we know this probably wasn’t deliberate (Oh that it was) but it is nice to know that the Design Gods have been watching and have made this serendipitous union work so well.


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Finding Mr Flood

mr-floodAt last somoene has followed the lead of The Raw Shark Texts (see elsewhere on this site) and used the spine of their book to communicate key marketing messages.

This is such a simple, clever and powerful trick it is astonishing that more publishers don’t try it.

Until they do, Finding Mr Flood will continue to look special and pop out from the other books on the shelf.

No points to the publishers for originality but much credit for showing that they believe in this author and are looking at every angle they might leverage to give her a competitive edge

Good luck to them.



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Daughter of Smoke and Bone

smoke-and-boneThe last resort of many publishers is to blow a fortune on special finishes in an attempt to make a cover more interesting.

Invariably it is a waste of money and adds very little to the overall impact.

Luckily this isn’t one of those covers.

That’s because it has integrated the use of a special finish into the cover concept from the very start of the design process.

Ostensibly there is nothing dramatic about this visual — it is simply a blurred wash of purples and whites.

However the addition of the metallic finish transforms it into a flurry of feathers that you can’t help but want to touch as they shimmer in the light.

A simple, graphic background has been transformed into a thing of quite magical beauty.

Gorgeous.

It’s a pity about the obscure and meaningless strapline (“The Doors to Elsewhere are Closing”) — It adds absolutely nothing to the communication.

But hey, we can’t have everything…

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