Scary Monsters and Super Creeps

blurbxx-dom-jollyYou know those trailers in the cinema that reveal so much about the movie you end up feeling that you don’t need to bother going to see it?

Not only that…but they also leave you with the feeling that the movie  must be lousy if they have to show you so much in order to sell it.

That is what this blurb feels like.

It goes on and on and on and on.

Not only is it outfacing — but by the end you feel like you’ve garnered all the good bits.

Quite simply it is trying too hard and saying too much.

This blurb’s greatest value is in reminding us that you don’t seduce consumers by repeatedly clubbing them over the head.

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Secrets of Eden

secrets-of-edenIt is common for big brand authors to have their cover designs ripped off by lesser writers who hope to dupe the public and clothe themselves in the glory of their more successful competitors.

Jodi Picoult has a very strong and distinctive cover look which is regularly copied but we believe that this example is simply taking the piss.

It’s one thing to copy Jodi’s general look…

It another to also copy the poster style headline that Jodi uses…

It’s a little bit naughty also to play on the Jodi Picoult phrase “What would you do?” but we can just about forgive this…

However, to top it all off with a quote from Jodi herself, complimenting the novel, is a step too far.

It’s incredible but the publisher has had the audacity to make this Picoult forgery so real that they have even found a way of getting her name onto the front cover too.

(And in so doing, using Jodi Picoult’s very own words against her)

This is possibly the worst example of rip-off publishing we have come across.

We hate it.


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Hunger Trace

htThis is a striking cover despite its rather over-used building blocks. Dark birds often lend a sinister edge to an image which is why generally, they are used as a cliched shorthand for the ‘Horror/ Thriller’ genre. Young boys are also on many book covers. The current vogue is to use them to signify ‘Reading Group’ content (“Moving stories about life that resonate deeply with the reader” — you know the kind of thing). So one could be forgiven for expecting a cover that combines dark birds with a boy to be quite weak. The signposting could simply be too obvious. (A bit like the paperback cover for ‘Ravens’)  Remarkably however, Hunger Trace manages to get away with it. This is mainly down to the particular images that have been selected. Both the bird and the boy are unusual: Firstly they have each been caught in a moment of dramatic movement and secondly, they have been not been shown as silhouettes. This means we are sucked into the detail of an unusual juxtaposition. The washed-out colour palate adds to the mysterious mood brilliantly, as well as helping the red type of the author’s name shout off the page. The only quibble we have is with the quote from Hilary Mantel. It gets in the way too much and just tips the balance of the cover towards having too much copy. We would have moved it to the bottom to let everything else breathe a little more. Other than that, a very strong cover (And yes, you’re right, we can’t help thinking of Kes every time we see it but that is probably no bad thing…)


kes8

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Child 44

child44This is a cover that people have fretted about.. The publisher probably knew that they had a ‘winner’ on their hands and they were desperate not to mess it up. Hence the careful use of all the tricks in the ‘Crime / Thriller genre designers toolbox’.

First there is the quote from another respected author in the genre – especially good because it includes the word ‘thrilling’.

Then, more obviously there is the use of red type set against a contrasting background colour. In this case a snowy railway track (industrial imagery is always useful in Crime /Thriller covers)

Obviously the lettering had to be distressed to add a sense of drama and fear. But then comes the master stroke – the manic scribbled circles of red pen around the number 44. This is incredibly eye-catching and delivers a real sense of urgency. This is enough to make the cover special because even though the cover is playing by all the rules it still feels special. (See Panic by Jeff Abbott for another excellent version of the same thing)

But then the Publishers lost their bottle and just couldn’t stop themselves from adding the dark shadowy man. Yes this is another trick of the trade but it simply wasn’t necessary here. Most people don’t even notice him (so strong is the typography) but when they do, I hope that like me, they are disappointed that the publisher didn’t have the balls to rely on the typography alone. Instead they have bolted on the fashionable cover cliché of the moment and turned a potentially great cover into just another good one.

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