The Final Testament of the Holy Bible

finaltestament-back-1You will either love or loathe this blurb. It has the same effect as James Frey himself. But even its biggest detractors will have to admit that it deserves to be called a Fixabook Power Blurb. It does exactly what every blurb should do — it challenges, intrigues and excites the reader.

The complete and confident focus on the author stops you in your tracks. This is a fiction blurb unlike any other. Particularly clever is the way in which the first paragraph, by moving from negative to positive statements, plays with the reader’s emotions and underlines why Frey has such a polarising effect.

The shout-out is also cleverly pitched:

“Now James Frey has written his greatest work, his most revolutionary, his most controversial.”

All three of these are bold, confident claims which challenge readers to agree or disagree — a clear call to action to pick up the book and find out what it’s all about. This challenge is reiterated in the Evening Standard review.

The review quotes, too, are well chosen to offer differing perspectives. The Time review jolts the reader yet again, as nothing else on the cover has suggested Frey is “entertaining”. This adds yet another layer of interest to an already compelling blurb.

What do you think? What we love about this is that it forces everyone to have an opinion.

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Mister Pip

mr-pipTo all intents and purposes this is a very weak spine.

The typography (which is just about legible on the front cover) is unreadable when placed on its side and reproduced at a smaller size.

Anyone scanning the shelves, expecting the name of the author or title to leap out at them, will be sorely disappointed.

BUT

And it is a big but… this spine does work in a completely different way.

It is such a riot of colour and pattern that it puts every spine around it into the shade.

In an environment where everyone else is working to the same formula of  (1) Title (2) Author (3) Small design icon, this spine takes a very different strategy.

Simply (and quite unapologetically) all it seeks to do is evoke the wonderful richness of the front cover design as a whole.

It is an interesting approach:

For anyone who does not know what the front cover looks like, this spine will fail.

But for grabbing the attention of the nonchalant shelf browser or, more importantly, for an audience who have a vague memory of seeing the Mr Pip cover in a newspaper review or being read on the tube, this is a winner.



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Hand Me Down World

hand-me-down-world-1-1Hand Me Down World has some textbook examples of excellent back cover design and planning.

I love the way the cover artwork has been designed to frame the text, making the back just as attractive and intriguing as the front and allowing the whole cover to hint at a story through illustration. The yellow frame for the blurb is a really satisfying touch, drawing the eye to the right place straight away.

The main paragraph of blurb is really well written — short, direct and resisting the temptation to tell the whole story. It introduces you straight away to the main character and makes you want to read on. The last sentence — “This is a novel you cannot stop thinking about.” — is a mistake, though. It sounds both didactic and patronising and will put off readers who don’t want to be told what to think. It jars the reader away from the world of the central character and back to pompous “publisher speak”.

It would have been nice to see the author photo and biog and the Mister Pip jacket incorporated more cleverly into the overall design. Here they look rather bunged on at the last minute.

Overall, though, this is really pleasing to look at. It excites and intrigues without fuss or complication. Lovely.

…We are a bit worried, though, about the forthcoming paperback edition. It looks like another tragic example of a lovely design being chucked away in paperback. John Murray — it’s not too late to save it. Please?

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A Million Little Pieces

millionpiecesBeautiful. Simple. Elegant. This cover is very original and instantly recognisable. Even though the visual and the typography are all very delicate, this cover pops off the shelf with real power.

True, it would be much weaker without the Bret Easton Ellis quote but the designers have recognised that his comment (and the fact it comes from him) communicate so much about the content and style of the book that they are released from having to create a snapshot of the plot. They have made the most of the freedom allowed them by this quote and stylishly side-stepped all the problems of trying to make a book about a drug addict look attractive and readable.

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Lancaster

lancasterspThis spine works because the information has been split into two distinct parts. The title is bold and clear against a contrasting blue background while all the details (author name, strapline and publisher) have been ‘kept back’ against a more subtle grey background. At first it looks as though the publishers have been very creative and created a ripped page effect.

But in fact the device was probably arose by accident as the spine is merely a continuation of the cover image (grey clouds against a blue sky) Nevertheless, the publishers have recognised how to use it to to good effect so they deserve credit for that. The only question that remains is whether it should have been the title in bold or the author name, given how books are displayed in shops.

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Oscar Wilde and the Candlelight Murders

oscarwildeThe first thing that makes this cover leap off the shelf is its unique colour palate. There is little else like it, especially on the Crime shelves. But it is not the neon glow that makes this book cover work so hard, it is the clever manipulation of messaging; Firstly, the author is actually Gyles Brandreth but we all know that he is regarded by many as a bit of a tosser, so his name takes a definite backseat to that of the book’s chief protogonist, Oscar Wilde.

The danger with putting the spotlight on Wilde however is that this book will look like a historical novel, so the ultra-modern, fluorescent colours force us to re-appraise. But the design doesn’t stop there because fluorescent colours could easily make the book feel cheap and tacky, so elaborate twirls and graphic symbols have been introduced to deliver an altogether more arty and upmarket feel.

There is a lot going on here but the designers have found their way through the myriad of problems presented by this book with a wonderful lightness of touch.

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Mister Pip

mrpipThis cover oozes style and sophistication. The bold illustrative style signals the literary content while the details of the image give the reader subtle hints about the Southern Pacific setting. What is most interesting about it is the way the type has been handled.

At a distance it is almost impossible to see (let alone read) the author name and title, yet there is no confusing this book with another – it is that distinctive. The thoughtful choice of paper stock simply adds another layer of elegance and makes this cover feel like a work of art.

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