Daughter of Smoke and Bone

smoke-and-boneThe last resort of many publishers is to blow a fortune on special finishes in an attempt to make a cover more interesting.

Invariably it is a waste of money and adds very little to the overall impact.

Luckily this isn’t one of those covers.

That’s because it has integrated the use of a special finish into the cover concept from the very start of the design process.

Ostensibly there is nothing dramatic about this visual — it is simply a blurred wash of purples and whites.

However the addition of the metallic finish transforms it into a flurry of feathers that you can’t help but want to touch as they shimmer in the light.

A simple, graphic background has been transformed into a thing of quite magical beauty.

Gorgeous.

It’s a pity about the obscure and meaningless strapline (“The Doors to Elsewhere are Closing”) — It adds absolutely nothing to the communication.

But hey, we can’t have everything…

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Delirium

deliriumThis is a simple and yet really quite beautiful spine.

It is also very clever because the way the face peers through the lettering allows the spine to do two things at once :

- Firstly it enables the title to be written in large and bold letters which is surprisingly rare in spine design but always an advantage.

- Secondly and more importantly, the hidden face device means that the large lettering doesn’t come across as being bloody and crass. Instead, the face makes the typography more intriguing and adds a genuine sense of mystery.

Normally this effect is only achieved by putting additional visuals onto the spine and as we all know, this usually leads to compromises because of the lack of space.

Here there are no such issues.

It’s a neat trick and even though they have used the same device on the cover, it is on the spine where it really stands out.


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Stand-Out Spine 2010

last_letter_hb_spine WHY THIS SPINE WAS OUR FAVOURITE ON THE SITE IN 2010:

To be honest, despite the fact that spines are so unloved, we ended up struggling to choose between two strong contenders: this and Fangland. In the end, however, The Last Letter From Your Lover won because it looks so unusual. More than just being a nice piece of design, it disrupts the uniform rows of spines on the shelf. This is what makes it work so hard. Also, unlike most others, it captures completely the content and tone of the book and does a lot of communication before the reader has even picked it up.

AND HERE’S WHAT WE SAID ABOUT IT IN THE ORIGINAL POST:

This is a very rare thing -  a spine that has been treated as a piece of artwork both in its own right and as an integral part of the overall cover design. And it really really works.

It’s almost impossible to read the title from a distance — but in this case that doesn’t matter, as the “bundle of letters” device gives the spine real stand-out. Crucially, the artwork allows the spine to reveal the nature of the book straight away, reducing the need for masses of explanatory text all over the front and back.

  

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My Name is Memory

41s9b7kpw9lOh come on…not another pair of hands cradling something precious and fragile. How cliched does this image have to become before people stop using it? Publishers seem to think it is mysterious, clever and significant — but the truth is that is has become dull, dull, dull. And in this version there has been no attempt to inject anything fresh. Everything from the wishy washy colours to the wispy typography screams mediocrity that is desperately trying not offend its audience of mid market (sub-Reading Group) female readers.

At least Twilight managed to use this image with some degree of credibility. They shook things up with their bold colour palate and typography. But few designers have managed to take a cliche like this and make it feel as fresh as Twilight did. Better luck next time??

twilight25picture-perfecttiesleft-neglected

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Shades of Grey

grayThis cover works a treat. The publishers have appreciated that less is definitely more. The trick has been to understand the context in which it will be displayed.

By thinking about that the other covers on the adult fiction shelves they have been able to buck convention in many small ways; From the bold use of white, to the use of a children’s image on an adult cover, to the use of primary colours, to the almost throwaway positioning of the title. The end result is a clean cover that plays well to the author’s cool and intelligent fanbase.

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One Day

onedayWhat a great cover. Simple and graphic with stunning stand-out on the shelf. This could have been such a cliched image but the surprising use of cream and orange for the two silhouettes has enabled the Publishers to create something unique. It is rare to see such a restricted palate and such confident use of blocks of colour on a Fiction cover and it works wonderfully well.

Just as impressive is the way they have managed to include so much type on the cover (Title, strapline, author name, previous book reference and review quote) and yet it doesn’t feel as though it gets in the way. Neither too girly or too male in tone, this cover has done everything it needed to while staying perfectly true to the content of the story. A major achievement.

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NIV Holy Bible

bibleThis cover is both clever and beautiful. The Publishers have crammed lots of information about their particular translation onto the cover and also included some of the more beautiful passages from the bible yet by using the typography to create a crucifix, none of it feels forced or cluttered. This cover is an object lesson in how good typography can turn content into something special and remove the need for additional visuals.

The icing on the cake is that this is just one of a series of different bibles, each using a unique typographic treatment to reflect it’s particular translation. Heavenly.

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