The Art of Fielding

art-of-fieldingSo here is the book that everyone is talking about…

And maybe that is the problem with this blurb: There is just too much talking.

There is one killer point that comes through in Jonathan Franzen’s quote — “First novels this complete and consuming come along very, very seldom”.

In other words — this is a special book…

Rare, desirable and precious…

A one-off that needs to be seized upon…

This is the point that the publishers should have rammed home — but instead they got caught up in the breathless eloquence of long quotes and witty baseball metaphors.

(Hardly motivational for readers in a country that knows sod all about baseball and shows absolutely no interest in learning more about it either)

This blurb would have been much tighter if the publishers had showed more restraint and edited the quotes so that they all reinforced Franzen’s central message. After all, in among the baseball references, each of the quotes pick up on the same theme:

For example James Patterson exclaims: “The Art of Fielding is one of those rare novels that seems to appear out of nowhere, and then dazzles and bewitches and inspires until you nearly lose your breath from the enjoyment and satisfaction”

Seldom…Rarethese are big motivational words that are getting lost amongst all the others

The bottom line here is this — When putting together a blurb it is nearly always better to focus on one powerful message than to get distracted by lots of other themes (no matter how positive and tempting they might be).



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The Marriage Plot

the-marriage-plot-1Hardbacks are having a pretty rotten time at the moment, with rapidly diminishing sales and rising cover prices. Publishers have to work harder than ever to make their hardbacks covetable things of beauty that justify the price tag. They need to be stunning and tactile, with beautifully written, compelling text to draw the reader into their world.

How depressing, then, to see this lame excuse for a hardback — and particularly this utter waste of a back cover. Surely, SURELY, the days are gone when a couple of generic quotes were considered enough to make someone spend money on a premium book? Blurbs need to sell, to convince, to enchant. This text does none of those things… and it looks unbelievably boring as well.

Can you think of any other product category in which this sort of thing would be acceptable? This makes us want to weep.

Come ON, publishers — put some proper selling copy on the back of your hardbacks. Build the design around that copy to make it sing. Get us excited by what we see there. Show us that you believe in your book and we might believe in it enough to shell out £20.

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Burley Cross Postbox Theft

image_1This back cover is a great bit of design — clean, simple and striking. It conveys perfectly the novel’s juxtaposition of quaint village life and a dark undercurrent, while underlining its epistolary approach. Incorporating the barcode into the image is a really neat, satisfying touch which shows great care and attention to detail.

It’s a real shame, then, that the yellow space has been filled with three very generic quotes that tell the reader nothing at all about what’s inside. And once you find the blurb on the front flap, it’s disheartening to see just how enormously long and overwritten it is — in stark contrast to the immediacy of the design:

image_0This is really disappointing. Even the first paragraph is stretched out by an unnecessary subclause, while the remaining text is full of lists and descriptions that reveal far too much of the book to make it intriguing. The final paragraph — an unofficial review — really grates. Either use a real review or leave the reader to make up their own mind.

It would have been far better to put a pithy, intriguing and funny blurb within the yellow tape on the back. The limited space would have necessitated something short and immediate and would have imposed some positive discipline on the copywriting process. I really hope this is the case with the paperback.

This is a depressingly familiar scenario — a great design let down by sloppy, overlength copy. Setting a tight framework for your blurb (design constraint, a low word count etc) before you start to write can help avoid this sort of mismatch.

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Wolf Hall

wolfhallThere is no denying that this is a good book that has sold well and been awarded and lauded. But the cover is terrible. It adds absolutely nothing to the title and is incredibly dull. Worse than that, their only attempt at creating a point of interest (the depiction of the red rose on the door) is completely lost against the red background.

Its only saving grace is that the slab of red gives it good standout on the shelf. Given that the title means nothing to someone who hasn’t read the book, this is a cover that relies too much on the fame of the author to carry it and the publishers have made little effort to use the cover to draw newcomers into her readership.

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Tender (Volume 1)

nigelslaterThis is so unexpected – it looks like a horror novel at first glance. It’s a bold exercise in understatement for a section that is bursting with noise and colour. It seems very cool and intelligent amidst the flashy celebrity chefs and so appeals to those who wouldn’t go for Ramsey or Nigella.

The idea is great… but the understatement has gone to far when it comes to the text. It’s much too recessive, particularly online. While Nigel Slater himself is a big draw, it’s almost impossible to read what the book’s about. A stronger font and slightly bigger point size would make it more readable without detracting from the strength of the image.

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