The Duff

the-duffThis is one of our favourite sorts of jacket — ugly… but very, very effective.

What we love about this cover is the fact that the title is allowed to do all the talking. Very few people are likely to know what it means at first glance, but its brashness forces you to pick up the book and find out more.

The use of a very understated font to spell out the meaning of DUFF is absolutely brilliant, too. It takes the reader from the big, confident statement of the title to a sudden anticlimax and a sense of something shameful, brilliantly mirroring the arc of the story.

The natural image is also really well considered. In a market swamped by Photoshopped partial faces, this makes a refreshing change. Its downbeat style actually gives the book far more shelf presence than many of its stylised — and generic — competitors.


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The Pile of Stuff at the Bottom of the Stairs

24NovPileOfStuff Bpb.inddAt long, long last… a women’s fiction title that hasn’t resorted to a headless woman, romantic urban purple or any of the other slavishly followed trends in the genre.

Instead, this is a cover that treats its potential readers as intelligent beings with a sense of humour and an eye for good design. And by doing so, it gives itself enormous impact on a crowded shelf.

The designer has, quite rightly, let the title do the talking, as this is what resonates so cleverly with anyone with a family. This allows for a clean and bold approach.

We have two quibbles, though. The first is the girliness of the hand at the top, which suggests loss of nerve about doing something so different. It’s a shame, as to make it more neutral would have given this book One Day-style crossover appeal to both men and women.

We’d also question the need for the strapline here. It does nothing to explain the title and clutters up the design. Again, it feels as though someone at Hodder has had a panic about being too bold - as many publishers seem to do these days, judging by the recent proliferation of straplines on fiction. In this case, the title is absolutely strong enough to carry this book and attract readers on its own.

But overall, this is a big success both on the shelf and online. It’s perfect, too, for getting recognition on the daily commute as it looks so striking and original. Nice work.

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Life on The Line

lotl_0How nice to see a tiny publisher doing something so brave with their blurbs.

This is a travel book — chronicling the adventures of a biker as he traverses the Americas.

It could so easily have been a splurge of prose about what happened and where: Kind of interesting but certainly nothing special.

Instead, Blue Footed (the publishers) have created a map of the journey and literally, ‘highlighted the highlights’.

It looks great and the bite sized chunks of copy suck you in far more effectively than a conventional blurb would have done.

The designers have also cleverly played with the title so that the ‘line’ it refers to is bought to life by being represented on the map.

While the bold use of black and yellow makes the whole thing especially striking.

All in all a very tight piece of thinking and a distinctive bit of design.

It is so good when the ‘little guys’ show the big boys how things can be done.





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A Good Man in Africa

boyd It’s so simple when you see it like this…

What is the main selling point? William Boyd

How do you find it in a bookshop? Look for the name William Boyd.

Rarely does one see a title printed so small and yet in this case it simply doesn’t matter.

Well done to the publishers for keeping their focus firmly on the consumer and ending up with a very neat piece of design as a result.

This is one to copy.


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2011’s Best Spine: 54

54_0As ever, there were very few spines that stuck in our memories this year. Sure, there were one or two that evolved what others have done in previous years and added a nice twist or two (See Darren Shan and Ciara Geraghty elsewhere on this site) but yet again the overwhelming evidence is that publishers still do not take this aspect of their packaging seriously (despite it being the most visible presence most of these books will ever have in a bookshop).

In the end we chose 54 not because it is brilliant but because of the way it plays with the conventional communication hierarchy (particularly in respect of the author name). This is a brave strategy and in an area where no one is trying anything new we felt it important to reward a spine that was at least experimenting in an attempt to create something fresh and interesting.

Here is what we said at the time:

Elegant. Simple. Different.


Here is a spine that kicks the asses of the books unfortunate enough to be placed around it on a bookshelf.

Just look at it.

It shouts at you.

The publishers have very wisely focused everything on the unusual title.

The difficult author name (Wu Ming) isn’t going to help anybody so it has been kept out of the way.

Instead, they have bought the cover image of a man’s face to the fore. This makes eminent sense as it adds a human dimension to the obscure title. Also, the image is cropped neatly so that we see just one eye peaking from round the corner of the spine. It communicates far more than one might expect. He looks…dangerous.

This is a spine that you want to pick off the shelf — just to learn more about it.

Job done.

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2011’s Best Blurb: Battle Hymn of the Tiger Mother

tiger-mother-xWe were torn between the sheer power of this blurb and the delicate intelligence of the blurb for ‘Madeleine’. In the end ‘Battle Hymn of the Tiger Mother’ won out because it is so damn powerful. It is a polemical piece of writing that grabs your attention and really makes you think.

Here is what we said about it at the time:

This is a POWER BLURB.


The kind of book description that picks you up by the scruff of the neck, slaps you around the face and then dumps you in a crumpled heap on the floor, leaving you wondering what has just happened.

No wonder everyone is talking about Battle Hymn of the Tiger Mother.  The author is on television and radio all the time and the book is splashed across the review pages of the press.

Not since Gina Ford have so many smug middle-class mums raged so much about a book.

The publishers must be rubbing their hands in glee as they watch the PR machine hit overdrive and the book scream up the sales charts.

The writers of the blurb should take huge credit for the furore that surrounds this title. Few blurbs in recent memory have been so polemic.

But this is not simply a case of a book selling itself because of its controversial content. There is genuine skill at work here. The publishers have used the blurb to manipulate consumer emotions in the deftest of ways.

For a start, the blurb is written as a series of killer soundbites, each listed as a bullet point which makes them quick to read and easy to pass on through the all-important word of mouth.

The final bullet — linking as it does to the previous one — is a wonderful shock at the end of the piece. It ratchets up the tension just as you think it couldn’t get more extreme.

6) THE ONLY ACTIVITIES YOUR CHILD SHOULD BE PERMITTED TO DO ARE THOSE IN WHICH THEY CAN EVENTUALLY WINMEDAL

7) THAT MEDAL MUST BE GOLD

Few people could read this without wanting to:

A) Throw the book at somebody

B) Read the inside cover with the same kind of fascination and horror as one watches a car crash

C) Talk about it with their friends

The other strength of the bullet point format is that it reads like a manifesto. This is crucial as it makes the book appear very aggressive and didactic.

Even the use of upper case letters makes it feel as though the author is shouting at us.

All more grist to the PR mill…

It feels like every aspect of this back cover has been crafted to create outrage and column inches. And it has worked.

But…

From our point of view, the most interesting dynamic at work here is the fact that this blurb is not very representative of the book itself.

In reality this book is a story — the journey of a mother.

And even though it has all the elements that have been picked up on by the media, it is much more open and the author is far more vulnerable than the blurb would have us believe.

The first hint of this comes in the inside cover, which does a very good job of shaking the consumer out of their initial rage.

tiger-inside-x

The line “It was supposed to be a story about…” is brilliant.

At once we are disarmed by the honesty of the writer and realise she is not the sanctimonious ogre we had first thought. The sharp contrast between this and the shock of the back cover is very potent and before we know it we are reading on..and on…

Sadly, of course not everyone will do this. Many people will only read the headlines and be left with a very innacurate view of this book. But at least they have heard about it, talked about it and may even want to find out more.

So this blurb works precisely because it is a poor representation of the book it is trying to sell. Years ago this would have been a criticism but increasingly marketing is taking over from editorial when it comes to defining the role of the blurb and its subsequent content. Nowadays (especially within non-fiction), publishers are happy to take awareness versus understanding because noise is what sells.



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The Devotion of Suspect X

the-devotion-of-suspect-x-coverusthe-devotion-of-suspect-xIt’s interesting to see how the same book is treated on either side of the Atlantic.

In this case, both versions work within the ‘Standard Crime Palate’ of red, black and white but the similarities end there.

In terms of design and messaging, they have each taken vastly different approaches;

The US version (on the right) published by Minotaur Books, uses a strong block of red to cut through the clutter around it while the ‘tear’ acts like a little peak into something dark and mysterious. This is reinforced by the contrasting black and white photography (A tried and tested signifier of ‘gritty crime’)

The Americans have also put a lot of emphasis on the author name and for some reason felt compelled to add the painful “A novel” product descriptor. Maybe they were worried that the photograph would confuse people and make them believe the book is about a real event.

The UK version really is very different.

In our view it is far more interesting and communicates a hell of a lot more.

For a start, the large, close-up image of the Japanese woman instantly sets the scene of the story and hints at the subject of Suspect X’s devotion.

The red circle is very bold way of holding the title and as such it leaps off the page.

It also reinforces the Japanese roots of the novel.

To some, it also looks like a mouth screaming. For others it hints at a mouth covered by a gag.

Who knows…but we are aware that Crime Readers like decoding all the symbolism on a cover so it will tease them wonderfully.

The author name is very clear but given his lack of fame in the UK, it is rightfully given secondary billing in the communication hierarchy.

And finally, there is no need to add a silly product descriptor to warn readers that this is a novel — the design itself has made that abundantly obvious (which is exactly what it is supposed to do)



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Steve Jobs

steve-jobs-biography This book is due to be released on Oct 24th. Just 18 days after Steve Job’s’death. The timing means that it will probably become one of the biggest books of the year.

Unprecedented media attention aside, the cover of any book about a design icon like Steve Jobs was going to be tough to get right.

We are surprised that the cover isn’t more…interesting.

Given the shape of the book is almost identical to that of an iphone, ipad and even the ipod there are all sorts of more unusual avenues that could have been explored.

Maybe quite rightly, the publishers have resisted doing anything too tricksy and have fallen back on a very conventional headshot and title.

At least the typography is cool.

Its impact comes from the same understated confidence that defines all of Apple’s products. The use of silver-grey for the author’s name is a great touch. At once it recognises that in truth he is far less important than the subject matter and at the same time it nods to the classic silver on white styling that defines Apple’s visual identity.

The rest of the layout is clean and uncluttered, but that’s a no-brainer given this is a book about Steve Jobs.

The publishers have already got off to a flyer as this very same photograph was used across several news channels last night during the coverage of Jobs’ death. That kind of subliminal endorsement is hugely powerful.

Rumour has it that the book was hastily updated to include Jobs’ resignation from the post of CEO of Apple just a few weeks ago.

We wonder how they will handle the news of his death.

It is probably too late to make any changes to the hardback but this may be to the publisher’s advantage…

We urge Little,Brown to create a special ebook edition that brings the story bang up to date.

Of course, this edition would be sold at a premium.

And only available on the ipad.

This is a golden opportunity for a publisher to show how some ebooks (particularly biographies) can deliver tangible benefits compared to their printed counter-parts.

What a fitting way for the book to be launched. Even upon his death, Steve Jobs will be redefining how markets work, how products are bought to consumers and how Apple technology can make a difference.


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Mafia State

mafia-state-1Here at Fixabook, we often lament the apparent reluctance of publishers to use great quotes from inside a book on the back cover. They choose instead to plaster their jackets with identikit media reviews and self-important puffs from their authors’ friends.

So three cheers for Guardian Books, who have let this author’s voice do all the work on this cover. Even more cheers when you realise that this is, in fact, non-fiction: an analysis of contemporary Russia.

Mafia State is a big, weighty book. It could easily look like a very dull, rather academic tome. Instead, this blurb, coupled with a very mass-market piece of design, makes it feel like a thriller — scary, personal and mysterious.

Publishing just as Spooks and Tinker, Tailor… hit the headlines, this is an eminently sensible direction to take. It should lift the book above the limitations of its genre.

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The Night Circus

night-circusThe Night Circus looks like it will be a lovely book — striking, clean and something you want to pick up and feel.

It’s great to see that this principle of simplicity has been applied to the blurb, too. Rather than trying to explain a complex story, Random have gone for three short yet intriguing statements that convey magic, uncertainty and a certain amount of threat.

It’s a shame, though, that this compelling blurb gets lost in a sea of reviews.

There’s already a great quote from Audrey Niffenegger on the front cover — “This is a marvellous book”. We don’t need to hear from her again. This quote is also intensely self-referencing and, as a result, gives the customer very little insight, particularly if he/she hasn’t actually read The Time Traveler’s Wife.

The Tea Obrecht quote offers far more to potential readers by giving them a real sense of how the book will make them feel, yet this is tucked away at the bottom of the cover.

The blurb also suffers by being in a font and colour that are more recessive than the review above it. It becomes the second thing the reader looks at and has less impact as a result. This copy should be what draws you to the book; the review should be the confirmation that you have made the right choice.

We would recommend losing the Niffenegger quote and replacing it with the Obrecht. The blurb could then be beefed up in size and given more weight, so it talks directly and immediately to its audience.

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