Just My Type

just-my-type001By our new Fixabook blogger… Ampleforth

This could have turned out a right mess, but in fact it’s brilliant. It communicates one message — “fonts have stories to tell” — with total clarity, while a secondary message — “… and you care about them” — develops slyly in the background.

From a design point of view, setting each font’s name in … er, itself is both obvious and dangerous. The danger is that the reader’s eye is repelled by visual chaos, but that’s avoided in two ways. Firstly, with a bit of restraint: eight different fonts are used, and that’s plenty when they’re as different as Helvetica and Baskerville. Secondly there’s a really nice, and rare, example of the copy actually helping the design. Because the blurb starts with an unexpected and punchy claim — “Just My Type is a book of stories” — then develops its argument in short, rhythmical steps, you’re drawn to carry on reading. And because you’re reading it, rather than just looking at it, each of the fonts plays its part in the argument rather than just sitting there looking messy.

The blurb’s secondary message is beautifully judged. Your interest has been aroused by the font stories mentioned at the start (why did Obama choose Gotham?) now the blurb reminds you what that interest might mean about you: that you care about fonts. It even cutely allows you not to have quite realised that fact up till now, with “… typefaces became something we realised we all have an opinion about”. The subtext is  “it’s ok, we were surprised too.”

My only gripe with this blurb is with the two promises which close it — that you’ll discover the best and worst font in the world and “what your choice of font says about you”. They’re superfluous. The reader has just been cleverly reminded that they care about fonts, so there’s no need to bolt on more ‘benefits’, for them in such a Cosmo quiz way.

This is a blurb that assumes a bit of sophistication in its audience — it expects some of us to know that Helvetica is ubiquitous and Comic Sans is a joke — but it doesn’t take it for granted that we’ll shell out money for a book about them. It sidles up alongside our mild font-interest and nudges it into £9.99 (before discount) worth of curiosity. No wonder the book is selling.

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Life on The Line

lotl_0How nice to see a tiny publisher doing something so brave with their blurbs.

This is a travel book — chronicling the adventures of a biker as he traverses the Americas.

It could so easily have been a splurge of prose about what happened and where: Kind of interesting but certainly nothing special.

Instead, Blue Footed (the publishers) have created a map of the journey and literally, ‘highlighted the highlights’.

It looks great and the bite sized chunks of copy suck you in far more effectively than a conventional blurb would have done.

The designers have also cleverly played with the title so that the ‘line’ it refers to is bought to life by being represented on the map.

While the bold use of black and yellow makes the whole thing especially striking.

All in all a very tight piece of thinking and a distinctive bit of design.

It is so good when the ‘little guys’ show the big boys how things can be done.





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The Baroness

the-baronessAt first glance, you might be surprised we picked this one. It’s very lovely, but rather recessive and understated.

But that’s just why we like it. Historical biography of women is increasingly falling prey to the unstoppable rise of the Headless Woman phenomenon. Not content with decapitating fictional heroines, publishers are increasingly lopping the heads off people who actually existed, from Catherine of Aragon to Effie Gray.

So hats off to Virago for having the courage to do something completely different with this one. Its cool, retro approach, line drawing and flat colour will stand out a mile amongst the velvet-clad, headless horrors on the covers of its competitors.

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Fish: Recipes from the Sea

fish-recipes-from-the-seaIt’s just so refreshing to see a cookery title that is a covetable design object in itself.

By challenging convention, with a simple graphic and a non-glossy finish, Fish immediately stands out in a crowded market.

This stunning cover has turned it from the functional to the desirable — a coffee-table cook book that everyone will want to display as well as use.

Phaidon’s design pedigree is serving it incredibly well in the cookery section. More conventional publishers would do well to learn some lessons from this.

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2011’s Best Blurb: Battle Hymn of the Tiger Mother

tiger-mother-xWe were torn between the sheer power of this blurb and the delicate intelligence of the blurb for ‘Madeleine’. In the end ‘Battle Hymn of the Tiger Mother’ won out because it is so damn powerful. It is a polemical piece of writing that grabs your attention and really makes you think.

Here is what we said about it at the time:

This is a POWER BLURB.


The kind of book description that picks you up by the scruff of the neck, slaps you around the face and then dumps you in a crumpled heap on the floor, leaving you wondering what has just happened.

No wonder everyone is talking about Battle Hymn of the Tiger Mother.  The author is on television and radio all the time and the book is splashed across the review pages of the press.

Not since Gina Ford have so many smug middle-class mums raged so much about a book.

The publishers must be rubbing their hands in glee as they watch the PR machine hit overdrive and the book scream up the sales charts.

The writers of the blurb should take huge credit for the furore that surrounds this title. Few blurbs in recent memory have been so polemic.

But this is not simply a case of a book selling itself because of its controversial content. There is genuine skill at work here. The publishers have used the blurb to manipulate consumer emotions in the deftest of ways.

For a start, the blurb is written as a series of killer soundbites, each listed as a bullet point which makes them quick to read and easy to pass on through the all-important word of mouth.

The final bullet — linking as it does to the previous one — is a wonderful shock at the end of the piece. It ratchets up the tension just as you think it couldn’t get more extreme.

6) THE ONLY ACTIVITIES YOUR CHILD SHOULD BE PERMITTED TO DO ARE THOSE IN WHICH THEY CAN EVENTUALLY WINMEDAL

7) THAT MEDAL MUST BE GOLD

Few people could read this without wanting to:

A) Throw the book at somebody

B) Read the inside cover with the same kind of fascination and horror as one watches a car crash

C) Talk about it with their friends

The other strength of the bullet point format is that it reads like a manifesto. This is crucial as it makes the book appear very aggressive and didactic.

Even the use of upper case letters makes it feel as though the author is shouting at us.

All more grist to the PR mill…

It feels like every aspect of this back cover has been crafted to create outrage and column inches. And it has worked.

But…

From our point of view, the most interesting dynamic at work here is the fact that this blurb is not very representative of the book itself.

In reality this book is a story — the journey of a mother.

And even though it has all the elements that have been picked up on by the media, it is much more open and the author is far more vulnerable than the blurb would have us believe.

The first hint of this comes in the inside cover, which does a very good job of shaking the consumer out of their initial rage.

tiger-inside-x

The line “It was supposed to be a story about…” is brilliant.

At once we are disarmed by the honesty of the writer and realise she is not the sanctimonious ogre we had first thought. The sharp contrast between this and the shock of the back cover is very potent and before we know it we are reading on..and on…

Sadly, of course not everyone will do this. Many people will only read the headlines and be left with a very innacurate view of this book. But at least they have heard about it, talked about it and may even want to find out more.

So this blurb works precisely because it is a poor representation of the book it is trying to sell. Years ago this would have been a criticism but increasingly marketing is taking over from editorial when it comes to defining the role of the blurb and its subsequent content. Nowadays (especially within non-fiction), publishers are happy to take awareness versus understanding because noise is what sells.



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2011’s Best Cover: Ed

ed_0It is hugely enjoyable to indulge in the beauty of great book covers and what better excuse than a review of your favourites of the year?

And if you want to immerse yourself in a world of great aesthetic beauty and design then we highly recommend the selection posted by The Casual Optimist.

However that is not what we are trying to do here.…
Our job at Fixabook is to focus more on the cover communication process and its effectiveness. While, of course, great, jaw-dropping design is fundamental to this, we feel it is important to highlight those covers that aren’t just ‘beautiful’ but which can teach us something about tight messaging, overcoming difficult hurdles and quite simply being brave.

Ed is a wonderful example of a bold title, a strong layout and an incredible photographic treatment all coming together as a piece of packaging.

Each feeds into the other and makes the whole much greater than the sum of the parts.

Our only gripe is the totally unnecessary strapline.

Here is what we said about it earlier this year:

We’ve featured some fantastic examples of the use of photography to tell a story in political non-fiction — take a look at A Journey or The Third Man.

This cover, however, takes it to a whole new level. For those who know about the Milibands’ rivalry, this image says everything and tells you immediately that this is not a straight biography of Ed but an analysis of a bitter struggle, hidden behind public displays of unity. This is the story that most people want to read and it’s cleverly communicated by this choice of photo, which would work even without the strapline.

The book’s approach and conclusions, however, are rendered ambiguous by this image. Has Ed emerged triumphant from his brother’s shadow? Or will he be haunted and hampered by David for the rest of his career? Any reader will want to pick this up to find out which angle the authors have taken.

For anyone unfamiliar with the story, this picture is both striking and intriguing. Why, on a biography of a political leader, are there two people featured on the front? There must be more to this than a straightforward political profile.

Striking, communicative and well chosen — the perfect approach to a cover image.


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Heston Blumenthal at Home

heston-blumenthal-at-homeWe love this cover.

A celebrity chef cookbook that breaks all the rules.

- For a start it is largely black: Dark covers are never used for cookbooks. Instead we are constantly bombarded with bright whites and primary colours evoking Spring, the outdoors and nature. This late night setting makes us think of secret treats and hidden pleasures. It also suggests something that can be ‘knocked up’ quickly and easily on the spur of the moment (A neat piece of re-positioning for Heston)

- We hardly see any food:  Normally cookbooks go for the raw ingredients, the rural setting or the finished meal — Here we can just make out a few ingredients — the most visible being wrapped in foil (!) which again reinforces the simplicity message. This is food we can make from stuff left in the fridge rather than having to pre-order exotic ingredients it from our nearest Deli.

- Heston’s big face isn’t plastered across the front: Instead he is hidden in the shadows. Although it has to be said the brilliant lighting reveals just enough of his iconic bald head and glasses for him to be recognisable. But even this is done so well and so subtly that actually, we feel rewarded for recognising him.

- There are no straplines or quotes: The overall layout is wonderfully clean and simple.

All in all this is a great piece of work. A very confident move by a publisher gambling against Jamie at Christmas time.

We want to buy a copy just to support them.


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Brutal Simplicity of Thought

brutal-simplicityHere is the title of a book that is almost a brief in itself.

No room for messing about here — keep it simple or you have failed.

Luckily this isn’t the most demanding of requirements and this spine does exactly what it says on the tin.

The interest however lies in the name of the author…

On Amazon it appears as though this book has been written by Lord Saatchi which is a fine idea because his kudos gives the book added weight and importance. As the founder of one of the most influential advertising agencies in UK history, he helped redefine the British cultural, political and economic landscapes.

On the spine however, we don’t find Lord Saatchi’s name at all.

Instead we see the words M&C Saatchi.

This is the name of his second agency and the one no one has heard of (Outside of the advertising world of course)

So..actually, what have we got here?

Quite simply,  a corporate brochure for M&C Saatchi that has clothed itself in the credibility of a book, is promoted on Amazon, sold in bookshops around the country and has even leveraged a mini exhibition at the V&A.

What a brilliant piece of corporate promotion.

And who knows…maybe they even got Ebury to pay for it all.

No wonder the Saatchi brothers are so successful.


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Steve Jobs

steve-jobs-biography This book is due to be released on Oct 24th. Just 18 days after Steve Job’s’death. The timing means that it will probably become one of the biggest books of the year.

Unprecedented media attention aside, the cover of any book about a design icon like Steve Jobs was going to be tough to get right.

We are surprised that the cover isn’t more…interesting.

Given the shape of the book is almost identical to that of an iphone, ipad and even the ipod there are all sorts of more unusual avenues that could have been explored.

Maybe quite rightly, the publishers have resisted doing anything too tricksy and have fallen back on a very conventional headshot and title.

At least the typography is cool.

Its impact comes from the same understated confidence that defines all of Apple’s products. The use of silver-grey for the author’s name is a great touch. At once it recognises that in truth he is far less important than the subject matter and at the same time it nods to the classic silver on white styling that defines Apple’s visual identity.

The rest of the layout is clean and uncluttered, but that’s a no-brainer given this is a book about Steve Jobs.

The publishers have already got off to a flyer as this very same photograph was used across several news channels last night during the coverage of Jobs’ death. That kind of subliminal endorsement is hugely powerful.

Rumour has it that the book was hastily updated to include Jobs’ resignation from the post of CEO of Apple just a few weeks ago.

We wonder how they will handle the news of his death.

It is probably too late to make any changes to the hardback but this may be to the publisher’s advantage…

We urge Little,Brown to create a special ebook edition that brings the story bang up to date.

Of course, this edition would be sold at a premium.

And only available on the ipad.

This is a golden opportunity for a publisher to show how some ebooks (particularly biographies) can deliver tangible benefits compared to their printed counter-parts.

What a fitting way for the book to be launched. Even upon his death, Steve Jobs will be redefining how markets work, how products are bought to consumers and how Apple technology can make a difference.


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Mafia State

mafia-state-1Here at Fixabook, we often lament the apparent reluctance of publishers to use great quotes from inside a book on the back cover. They choose instead to plaster their jackets with identikit media reviews and self-important puffs from their authors’ friends.

So three cheers for Guardian Books, who have let this author’s voice do all the work on this cover. Even more cheers when you realise that this is, in fact, non-fiction: an analysis of contemporary Russia.

Mafia State is a big, weighty book. It could easily look like a very dull, rather academic tome. Instead, this blurb, coupled with a very mass-market piece of design, makes it feel like a thriller — scary, personal and mysterious.

Publishing just as Spooks and Tinker, Tailor… hit the headlines, this is an eminently sensible direction to take. It should lift the book above the limitations of its genre.

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