Mister Pip

mr-pipTo all intents and purposes this is a very weak spine.

The typography (which is just about legible on the front cover) is unreadable when placed on its side and reproduced at a smaller size.

Anyone scanning the shelves, expecting the name of the author or title to leap out at them, will be sorely disappointed.

BUT

And it is a big but… this spine does work in a completely different way.

It is such a riot of colour and pattern that it puts every spine around it into the shade.

In an environment where everyone else is working to the same formula of  (1) Title (2) Author (3) Small design icon, this spine takes a very different strategy.

Simply (and quite unapologetically) all it seeks to do is evoke the wonderful richness of the front cover design as a whole.

It is an interesting approach:

For anyone who does not know what the front cover looks like, this spine will fail.

But for grabbing the attention of the nonchalant shelf browser or, more importantly, for an audience who have a vague memory of seeing the Mr Pip cover in a newspaper review or being read on the tube, this is a winner.



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Hand Me Down World

hand-me-down-world-1-1Hand Me Down World has some textbook examples of excellent back cover design and planning.

I love the way the cover artwork has been designed to frame the text, making the back just as attractive and intriguing as the front and allowing the whole cover to hint at a story through illustration. The yellow frame for the blurb is a really satisfying touch, drawing the eye to the right place straight away.

The main paragraph of blurb is really well written — short, direct and resisting the temptation to tell the whole story. It introduces you straight away to the main character and makes you want to read on. The last sentence — “This is a novel you cannot stop thinking about.” — is a mistake, though. It sounds both didactic and patronising and will put off readers who don’t want to be told what to think. It jars the reader away from the world of the central character and back to pompous “publisher speak”.

It would have been nice to see the author photo and biog and the Mister Pip jacket incorporated more cleverly into the overall design. Here they look rather bunged on at the last minute.

Overall, though, this is really pleasing to look at. It excites and intrigues without fuss or complication. Lovely.

…We are a bit worried, though, about the forthcoming paperback edition. It looks like another tragic example of a lovely design being chucked away in paperback. John Murray — it’s not too late to save it. Please?

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Mister Pip

mrpipThis cover oozes style and sophistication. The bold illustrative style signals the literary content while the details of the image give the reader subtle hints about the Southern Pacific setting. What is most interesting about it is the way the type has been handled.

At a distance it is almost impossible to see (let alone read) the author name and title, yet there is no confusing this book with another – it is that distinctive. The thoughtful choice of paper stock simply adds another layer of elegance and makes this cover feel like a work of art.

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